Categories
Grammar

I intend to revolutionize punctuation! 1st criticism.

EDITI: I realize now that this was already a rule in UK punctuation.
EDITII: Hoping no one noticed the mistake I made!

I intend to revolutionize punctuation! It is lacking! There are times when it falls short. Am I right or what? I will herein tackle UK punctuation because no one cares about American punctuation. These points will highlight my true gripes with the punctuation we have now. It shall all be corrected!

• A period inside the second single quotation mark when a quote is being delivered in its entirety; for instance, ‘ “How they all sat.” or “How they were seated.” came to be their motto’ should all have periods ending the quote because they were written that way!

Why is it necessary to place periods inside the quotation marks? Because this is how it was written. Yes, I agree! It is essential information! When there is no full stop, the context becomes confusing. Was this person referencing a memory, something they heard… ? No! They were referring to specific written text. This example is gibberish because of ‘or’, however, that need not matter! Also, I recognize there is laziness at play here. In a perfect world, this person or exposition would make note of the quotes being written. Let’s ignore this. Full stops inside quotation marks is more important.

Let’s come up with more gibberish! I’ll try to come up with a more intricate example.

《They spent all their ‘time’ hunting and gathering at ‘Jerry the Winter’s.’ place, writing ‘who was the right one for the job?’; ‘Let there be rain..’; ‘Give it up for “Whose Boss.”, hanging on the edge’.》

In this example above, punctuation is important! We would not have garnered much of anything had the periods been excluded. Now you see! Yes? Gibberish is beautiful! Fun fact: My 9th grade English teacher pulled me aside to tell me my journals were full of gobbledygook.

But let’s be honest, if you can make gibberish, you can conversely create comparatively creative, sensible narratives as well. You won’t see that here though.

Ellipses never fail to be an enigma. ‘… [I]t …’.

As it turns out, I have possibly been using ellipses incorrectly. For this, I apologize; yet, at the same time, I believe I will continue to use them incorrectly, regardless.

What was the supposed mistake?

I read on English stack-exchange four dots were required when suggesting pause at the end of a sentence. Three dots for the ellipsis and one dot for the full stop. (Change of tone can necessitate the ellipsis too, apparently.) I’ve made use of this where I go since reading about it. Then, here is this conflicting source explaining instead one dot is used for the full stop followed by three dots for the ellipsis. So, maybe it is more informal? I haven’t the slightest. Either way, I feel that it is a nice little thing to believe in the former. And I am just the person to harness both readings. That’s probably what I’ll end up doing just to cause readers to hesitate; antithetical to the progress infused by a punctuation revolution., yes. Antithetical and impreding; but that’s progress. It always has a cost – and I am at the center of this revolution, after all. I must set an example!

Let us reminisce of the period–quotation mark problem

Everything written therein is probably already a rule someplace. I know not where one would go outside Chicago to find these answers. Honestly, it’s a little silly, but I must blame my eyesight for the untapped deluge. It is unbecoming of a man who has dedicated himself to punctuation and grammar; it’s just that it tries my ‘patience’….

Categories
VST

Voice Strength short note: article 5gd2

Hello all,

I hope this message finds you at a pleasant time.

I had a thought: Why not make a small ‘update’? Not necessarily an update, per se. It is more of an attempt to confront something I’d speculated in the past, to the applicability of measures to measure the impact or more specifically, the strength of a voice. And while that’s all good and dandy, leaving everyone off with ‘burp or inhale’ is a little silly. I’ll answer the question right now. It is possible! It must be! Yes! I realize I wasn’t really asking the question to begin with, but that doesn’t change the fact that this is of highest importance. Well, next to spreading the message, of course. More need to read and be aware; however, let’s not try to be off-topic here.

Back on track!

What news has been circulating in my head for however long now? It is that ‘edging the voice’ is a fantastic indicator of voice strength. That is all!

I don’t know that edging the voice will stick because it may not mean exactly what you think it does. I do mean ‘edge’ as in its verb form meaning ‘advance slowly, as if by inches’. Thank you, TheSage version 6.10 from 2016! (By the way, as a small aside, TheSage sucks now (or it may still suck) because the search field used to automatically be activated following a word search. That functionality was done away with in the next release… which was so dumb! I reverted instantly!) The only condition being usage of the voice is not actually fully initiated. Edge kind of works. Let me think of a perhaps-better way to express this action…. ‘The sustaining of loud whispers’? Maybe not quite there, but maybe it’s closer.

I don’t have anything else to add. This was the tidbit of information. Let loose! Go out there and compare your whispers! See who can whisper louder without the use of the voice! See who can whisper the loudest when using the very faintest of ‘sound’!

Categories
Gaming

Gurzgo The Greatest Arch Necromage | Dead Thrall Guide No. 0001: Broken Oar Grotto pt. 0001

This is a big ol’ copy-paste from my Facebook group (that no one is a member of because I am super popular). Be sure to join! *whisper* There’s actually no point in joining it because I plan to bring everything there here! Hurray!!!!!!!!

EDITⅠ̅Ⅴ̅: As it turns out, this guide is still relevant too, because Bethesda neglected to fix this bug in AE (‘Anniversary Edition’) and SE (‘Special Edition’)!

*by ‘anyone else’, it is meant ‘any NPCs that are spawned in or native to Broken Oar Grotto’. There is another separate way to retrieve thralls that were brought inside the place.

This part is intended for ‘Oldrim’ aka original Skyrim. Broken Oar Grotto may very well have been patched in later releases.

① Things you will need:
Fear, Unrelenting Force, some way to deal damage at a distance (there is killing involved, go figure)

② Optional:
Calm, some way to paralyse the target

• Now… kite the individual you wish to take from Broken Oar Grotto over to the entrance. You will then want to coordinate it so that your soon-to-be dead is fleeing to the entrance by using Fear. I recommend using Calm when you need a break to replenish magicka. Prior to this you will want their health to be low enough to kill easily as well.

• Make a save around this point; saves you some trouble!

• There are two cowering ‘positions’ at the entrance you will take note of. They must run to the right-hand one as it is far closer to the raised ground at the mouth of Broken Oar Grotto. This raised ground is the target when using Unrelenting Force. And, at this point, by encroaching on him, he will attempt to run past you, and this is when you must use Unrelenting Force to throw him up atop the hill. (Remember to look a little down and a little to the right of his person. This is so that the force will direct him up and slightly to the left.) The body MUST land head first out the grotto and MUST land stable and still. If the body begins to slide down or is feet first, his person will reanimate undead inside the disconnected area. You do not want this. You want his person to reanimate undead atop the hill in the accessible-to-the-rest-of-Skyrim area. This will take a lot of trial and error. I guarantee it! The body also cannot be moved by using Ice Spike or any other means of ‘artificial’ placement. Any post-mortem adjustments are a waste of time. Initial position of death HAS to be quite precise, really. It is possible to blow them too far, too! Expect to waste a lot of time!

• Make another save after you kill them (and know you have to glitch them into a moonwalk…).

• Causing a moonwalk on purpose:
⒜ Cause an enemy to fall over by any number of techniques; for example, Paralyze, Deep Freeze, Unrelenting Force. These will all succeed to this end.
⒝ Kill enemy when they begin to get back up.
⒞ Enthrall
⒟ Do not reload. Saving and then reloading ‘resets’ the status of the body so this glitch will not happen.

REMEMBER: They have to die in exactly the right way. Expect to do this a lot! We’re talking perfection here!

• There is a Slaughterfish spawn just outside Broken Oar too. You will need to kill it before any of this. Sorry! I just remembered it! Quickness may not be essential because you are causing the reanimated thrall to moonwalk, but nevertheless, you WILL want to leave Broken Oar Grotto before you see the animation (because that may be required; just in case, am I right? Feel free to go bonkers testing this out!). Also, don’t worry about how the target moves after being hit by the Dead Thrall spell! ‘It only matters where they died’.

• After enthralling (and exiting almost instantaneously), I found success by Fast-Travelling to Windhelm. I then entered Candlehearth Hall, and then reloaded the auto-save. I exited Windhelm via main gate. It is here that I saw Captain Hargar running towards me (he was my first success). You may find some other ‘Fast-Travel combination’ that works better. I do believe a minimum distance/time spent in fast-travel is required for this to work. It is, after all, kind of similar to GR’ing….

I wish you nothing but the best of luck retrieving characters from Broken Oar Grotto! It is possible!

Original method discovered ~Jan. 16th, 2015. Tested and proven on both Xbox 360 and PC (at a much later time).

I, also, kind of lied: I have made some alterations to the text from the Facebook group guide post. Some changes, I felt, were necessary.

And now on to the next Skyrim guide thing that’ll not yet be released!

PS: If all this sounds crazy, it’s because it is, and it took a super long time to get one achievement; and then an equal amount of super-long time to figure out what it was that was working to begin with.

Categories
Music

Favourite songs, vol. 0002

Sorry in advance for any repeated mentions across platforms. (I am not really trying my hardest to keep hits segregated.)

Rock > Natural Life by Breaking Benjamin
Alt. rock > Release by The Tea Party
Classic rock > Tarot Woman by Rainbow
Electro > Time Machine by 1st Light
Easy listening > Iodine by Leonard Cohen
Blues > Don’t Laugh at Me by Howlin’ Wolf, Put the Shoe on the Other Foot by Albert Collins
Industrial > Can’t Sit Still by Revolting Cocks
(less modern R&B) Soul/funk (with a little disco) > Im Caught Up (in a One Night Love Affair) by Jocelyn Brown, Western Union Man by Jerry Butler, Coolin’ Out & State of Limbo by Dennis Edwards, Candy by Cameo, Tears in My Eyes & Nothing to Lose By Trying by Con Funk Shun, Let’s Celebrate by Skyy, I Want you (All Tonight) by Curtis Hairston
J-alt. rock > 幸せが溢れたら by indigo la End
New wave > Rip Her to Shreds by Blondie, Mirror Man by Talk Talk
Prog. rock > The Night Watch by King Crimson
Reggae > Too Experienced rendition by Owen Gray
Dancehall > Fire Ago Burn Dem (feat. Gentleman) by Capleton

More on the way! Yippee!