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VST

A Conversation With the Primitive, Learned VST Technician, pt. 0001

So then, let us open up to this new thing we call conversation, shall we?

A: I’ve been concerned about this nearly my whole life, really, because it concerned me, you see?

I was (and am) so aware of my voice. You could say I was hypersensitive to it. I always wondered how it was made and why it seemed as though I had to put so much effort into it.

I have answers to these now, but at the time… ~14-16 years old … I didn’t have a clue.

A: Yes! Well, you see, that was the most pressing thing and the most stressful aspect of it all: To think that it is possible to ‘skip’ the voice!

I was immediately put into some great state of denial by this—being there and living it in that moment. Honestly, I still am somewhat troubled by how easy it is [under the right conditions].

A: Here. I’ll record myself right now utilizing my voice in vocal fry. I’ll have to send you home with some homework though; you’ll have to learn how to vocal fry. But it’s important that we both use the same device with the same settings.

Pay attention to the volume of the hiss by the rocerder itself, and play that off the loudness of the vocal fry. Of course, pay attention to what dissimiliarity presents itself between the voice clips too!

You’ll notice something very sincerely troubling.

Now also, remember to edge between effortlessness and clean tone. Do it in one (or two or three) separate utterances: from lightest, faintest touch to solid, clean tone. And compare that with my sample.

A: Yes, that’s a state.

A: Yes, that’s a state too!

A: Yes, VE is instrumental in understanding why you can’t do it but someone else (a singer) can.

A: For personal reasons, it just doesn’t make sense to try to be as—forgive the pun—vocal about VST as I know is possible. Also, it doesn’t help that I don’t handle negative feelings very well. If, during my lifetime, the day comes when VST is ‘known’ and more accessible and more is done on the scientific playing field, I’ll have to try to avoid the comments sections on my videos; mainly because I get the shakes, and that makes me feel quite horrible.

It would be nice if I weren’t like this, but this is how it is for me. One day, I may be glad I grew into this weak, fragile psyche.

A: I hate to cut you off, but I feel like that’s about all I’m interested in being interviewed about for right now. Come back later. By then, I’ll have come up with some more answers to your ever-inquisitive questions.